Neil Diamond 2001-2002 Concert Reviews
Seattle, WA December 5-6, 2001
From The SEATTLE POST-INTELLIGENCER,
Please visit thier website!
Old pro Diamond is smooth and polished
Friday, December 7, 2001
By GENE STOUT
SEATTLE POST-INTELLIGENCER POP MUSIC CRITIC
Neil Diamond is one of the hottest arena-level acts on the road this fall -- for several
reasons.
MUSIC review
NEIL DIAMOND
WHEN: Wednesday night
WHERE: KeyArena
The first is obvious: He's Neil Diamond, a four-star entertainer with decades of
experience and dozens of hit songs.
The other reasons may not be so obvious.
Diamond, who has survived so many music trends, is now part of one -- pop nostalgia among
the young. The 60-year-old singer has inspired dozens of tribute bands, notably the cover
group Super Diamond, and attracted a legion of new fans under 30.
And in a post-Sept. 11 America, Diamond's show is unabashedly patriotic without being
crass.
With Old Glory hanging above the stage, Diamond opened Wednesday night's show at KeyArena
with a rousing version of "America" from his 1981 remake of "The Jazz
Singer." When he sang the line, "Stand up for America," the entire crowd
rose to its feet and cheered.
The trim-looking star, dressed in black slacks, shoes and sequined shirt, was backed by a
17-piece orchestra that featured four horn players, four string players and two background
vocalists.
Instead of performing "in the round," as he often did in the '90s, Diamond sang
from a wide stage situated at one end of KeyArena. The stage was equipped with steps
leading down to small platforms, allowing interaction with concertgoers in the front.
The spontaneous clapping that is part of every Diamond show erupted during "A Mission
of Love," one of the best songs from his new album, "Three Chord Opera."
It's his first collection of new, original songs in many years.
Diamond paused to talk about "what the country's been going through" and told
the cheering crowd, "They say music has the power to heal. If that's so, let the
healing begin!"
The show was nicely paced, with set-the-world-on-fire rockers evenly balanced with
romantic tunes and melancholy ballads. The reflective "Solitary Man" preceded
"Cherry, Cherry," "Red, Red Wine" and a boisterous "I'm a
Believer," a hit for the Monkees in 1966.
A season showman, Diamond often teased fans. Before singing "Play Me," he warned
the audience that the song made him so emotional he might need a "hanky." When
several women rushed to the stage with handkerchiefs, Diamond dutifully mopped his
forehead with each and returned it to its owner. But a fourth woman produced a bra,
bringing howls of laughter.
During "Girl, You'll Be a Woman Soon," two young women in T-shirts approached
the stage and began hyperventilating when Diamond sang to them while lying on his side. At
the end of the song, he tenderly kissed them, and then pretended to pass out. "Does
anybody have a cigarette?" he asked after getting up. "I didn't know the girls
were that hot."
Diamond followed with several songs from his new album. Three violinists and a cellist
accompanied him at the front of the stage. None of the songs, however, created the
excitement generated by his older songs. Some of the best audience participation came
during "Sweet Caroline," which Diamond turned into a sing-along.
Diamond concluded his show with an explosive version of "Brother Love's Traveling
Salvation Show" and a reprise of "America."
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