Neil Diamond 2001-2002 Concert Reviews
Miami, FL - February 21, 2002
Miami
Herald Review
POP MUSIC
Diamond shines, and crowd of all ages delights in glitter
BY HOWARD COHEN
hcohen@herald.com
Somewhere along the way Neil Diamond got hip again. Yes. Neil Diamond. Sixty-one-year-old
Neil Diamond. The pop singer-songwriter's last Top 40 single was I'm Alive in 1983 but it
proved aptly named. Diamond drew a sell-out crowd of 14,512 to AmericanAirlines Arena in
downtown Miami Thursday night.
REVIEW
It's not difficult to understand his appeal. The man is a consummate performer. His songs
are catchy and enduring. Diamond's fans are of all ages these days and he moves all of
them. Thursday, his supporters in the house included his mother Rose (''The most
influential person here; she picked out the color shirt I'm wearing tonight'') and his
uncle Jule.
Seems everyone loved Neil, save a 2-year-old girl in the front row who clung tightly to
her father when Diamond sang, perhaps prematurely, Girl, You'll Be a Woman Soon, directly
to her from the lip of the stage. ''You're right, darling,'' Diamond said, waving to the
nervous child afterward, ``don't fall for the first guy that comes knocking at your
door.''
She'll come around. They all do. With the soul of an old-time preacher man and several
pseudo-gospel songs in his arsenal like Holly Holy and Brother Love's Traveling Salvation
Show, the genial Diamond elevated his fans out of their seats often. His opening America
fed right into the flag-waving mood sweeping the country since Sept. 11. During the song's
''My country tis of thee'' portion, three flags draped the stage and earned a rapturous
reception. A little over two hours later Diamond concluded with the rousing Brother Love's
Traveling Salvation Show, complete with a house of worship-style testimonial conducted
from a raised platform.
Part of Diamond's endurance is that pop culture keeps reviving him. Most recently when
last summer's smash comedy Shrek prominently featured his '60s tune, I'm a Believer.
Diamond's current tour, supporting his Three Chord Opera CD, featured a newly added string
and horn section and the horns, in particular, helped freshen '60s classics like the moody
Solitary Man and punchy I'm a Believer. Diamond's rough voice struggled early in the show
on ballads like Play Me but grew smoother and warmer by the concert's midpoint when he
performed his dramatic new ballad, I Haven't Played This Song in Years, arguably his
finest composition in two decades. The show's only flaw was drummer Ron Tutt, a veteran of
Elvis Presley's band, whose overly mannered pulse robbed percussive songs like Soolaimon
and Shilo of power.
Otherwise, with his oft-parodied grand hand gestures and a hint of Vegas permeating the
night, it was simply classic Diamond and that act has served him well for nearly 40 years.
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